I am professionally trained as an architect. I graduated in 1997 from the National University of the Littoral in Santa Fe, Argentina.
When I arrived in Spain, I initially tried to continue working in architecture, but I didn’t feel comfortable in certain professional environments.
Seeking a way to develop and express my creative side, I came into contact with ceramics.
I began a vocational training course in ceramics at Sa Gerreria, the old School of Arts and Crafts.
After that, the rest of my learning took place in various workshops across mainland Spain, taught by different artists and ceramists.

I have held several solo exhibitions on the island, as well as participated in group shows.
My most recent work revolves around the female body, aiming to convey strength through abstract curved sculptures.
The series is called "La curva que no soy" (The Curve That I Am Not).

If I had to define art, for me it lives in everyday spaces — I can find it in a kitchen, in a gathering of friends, in the act of sewing or embroidering.
Art is a way of doing, not just something that is made.

My aesthetic sense is minimalist; I don’t like to exaggerate with ornamentation or decoration — I belong to the school of less is more.
Form and volume define my pieces, giving them their sense of strength.

Another line of my work involves paper porcelain pieces.
In contrast to the materiality of stoneware, these pieces are created by immersing organic objects into a porcelain slip, resulting in delicate, translucent, and subtle forms.
I continue exploring the different objects that can be immortalized through porcelain, one of them being Posidonia (seagrass).

I hope to find a way to artistically unite these two materials — the organic essence of Posidonia and the purity of porcelain — through a subtle language that speaks of the poetry of care.